Showing posts with label transfers. Show all posts
Showing posts with label transfers. Show all posts

Sunday, May 24, 2020

One Stone On A Stone: Walls of New Hampshire

We arrived here as missionaries at the beginning of June,
and at full summer, could not see into the forest's interior.
Seasons changed; a historic stone wall was discovered there.
I had already been collecting images of walls we passed near.
This wall just yards away consolidated my "study". 
But first, a "Happenings" report.
Each week an arbor du jour takes the stage to dazzle.
This flowering tree delighted me on a recent walk.
Likewise this flurry (fleur-y?) of tiny weed flowers covered
a yard near the paved walkway along St. Anselm Drive,
and immediately brought to mind . . .
. . . a previous early autumn day when I walked the same path
in the hour before dawn, and saw this fairy haze.
On May 20th, we celebrated the one year anniversary of
our mission start date, when we began training at
the Provo Missionary Training Center in 2019.
At the end of that training, our MTC tour overlapped briefly 
the training of our "flight group" of 10 young missionaries who
would follow us, to arrive in New Hampshire later.
Their start date falls at the end of this week, so we
celebrated by sending them cards with "credit" for treats.
 Tuesday and Wednesday of this week we welcomed
a small and then a larger group of new NH missionaries.
Usual procedures were modified to have them stagger
arrivals, stay outside, come for reassignments and
depart within minutes. Here I show the parking lot at
Manchester chapel mission office where a certain amount of
cheery greeting couldn't be suppressed. 
It felt so good to see faces!
 Over a week ago, something happened that Elder Warner
does NOT want me to report - so I won't [sort of].
Here he is with compression-wrapped and elevated leg as
he nurses a strained muscle (and caters to his lunch appetite).
I'll just note that he will be a little more careful -- in a few weeks
when he feels well enough to play tennis again --
NOT to chase that drop shot with quite as much gusto!
On Thursday night, we had to say goodbyes to the three
outstanding young Elders who have completed their service:
Elder Crum, Elder Davis, Elder Beckstrand.
(The two on the ends were APs for a long time, so we
got to see and interact with them in the office a good deal.)
Our adieus were expressed via a Zoom conference call,
where Pres. Beck also recognized the concluding service
of other office seniors Sister Hoke (Mission Medical) and
Elder Hoke, Sister and Elder Matkin.
Through early summer, we will be the ONLY office seniors.
(Office duties will be carried out by three Special Assignment
young Elders, while the new nurse works from Utah home.)

* * * * *
Now for this interesting topic: Stone Walls of NH and neighbors.
The first image I offer is of a wall at the former residence of
NH native Robert Frost in Derry, who penned 
the familiar "Mending Wall" poem from which the blog post 
title is lifted. In his verse we become acquainted with
the summer/winter cycle that pushes stone walls over.
And from there, the ageless phrase from his neighbor:
"Good fences make good neighbors."
(Listen to Robert Frost reading "Mending Wall" HERE,
scroll about half way down the page.)
 Never need much of an excuse to buy a book.
This is the one I chose to educate me on this topic.
Some of the images included here, and much of
the information, comes from William Hubbell's pages.
Newcomers to New England often share our same wonder:
who would build stone walls in the MIDDLE of the woods?
Hubbell asked the same question to his father, who he says,
"patiently explained that what is woods today was once
pasture land." This image allows walls to show through
the foliage-less tree growth. (Hubbell)
 This lidar imaging study by Johnson and Ouimet reveals
farm roads and fences hidden by new growth forest.
The story of the stone walls goes way back to the age of
glaciers, when boulders of wide size range were carried along
as if in a stream for long distances. Then, when the glaciers
retreated, the stones were deposited where they thaw-dropped.
Left-behinds are called "erratics", and most were small enough
to become buried. But NOT this immense one in Madison, NH.
One famous erratic is seen in Acadia Natl Park in Maine,
known as Bubble Rock. (Hubbell)
 Here, a cut-away view of a gravel pit in Maine gives us some idea
of the degree of stone concentration hidden below the surface.
(Hubbell)
Early settlers staking their claim may not have known what
challenges to farming lay underground at plow blade depth.
Eons of freezing and thawing forced the stones upward - 
and the movement still goes on today.
Even the cutting down of the early forests for heating fuel,
building materials and to clear the land changed temps
to encourage the upward movement of rocks.
There is a saying that if the US had been settled from 
West to East, instead of from East to West, 
that New England would STILL belong to the Indians.
(Photo by Hubbell)
As visitors to New England for the first time over 30 years ago,
we immediately made memories of the stone walls
that were part of the visual landscape. As temp residents now, 
we see them everywhere, in the woods, and along the roadways.
This one, below, runs to the side of Mission home property
in Bedford, NH. No mystery about why the stones
are organized into fences, once we understand how 
ever-present they are. Besides clearing timber, settlers needed
to clear the land of stones, so they were "tumbled" to
the edges of field boundaries, informally or by design.
 Below is a historic and well-laid wall that
can still be enjoyed at the Canterbury Shaker village.
This size stone was called "one-hander" which a waller can lift
with one hand. These evidently were selected and fit together
with practicality to withstand the seasonal heaves and
thaws, one of the destructive forces at work against walls.
At the ends, or where breaks needed to be
left for passage of livestock or humans, extra care was
given, adding heavy stones as bookends to withstand
the pressure from the rest of the wall.
Nature does NOT like a "void", and gravity does pull.
 This wall, below, was photographed on our early hikes
in hills around Goffstown. 
An entire vocabulary surrounds stone wall building: 
this example is a TOSSED wall,
which has a little more planned form than a DUMPED wall.
There are SINGLE walls, DOUBLE walls (two larger stone
rows close together, with smaller rubble filling in between),
LAID walls (flatter stones in a stack), DRYSTONE (without
mortar to hold stones in place) and WET walls (with cement).
 This wall, below, near another beautiful barn structure at
Woodstock, VT, is a single stack wall at field edge,
sometimes called a farmer's wall.
Over time, single stacks sometimes became double stacks as
farmers continued to clear stones from fields and pastures.
Where the land was not good for planting, stone walls
often were simply boundary walls defining property.
 This neat wall that we photographed in September
last year is on Mountain Base Road, near my favorite
local red barn. Can't beat this color combination.
Attraction to stone walls by many is often explained
this way: they are just "peaceful".
 Near the Old North Bridge that we view in Concord, MA
is this single stacked wall. If a good quantity of smaller stones
was interspersed with these medium and larger, leaving
spaces, this would qualify as a "lace" wall style.
 On a hillside farm near Weare, NH, we saw this dumped
fieldstone wall, clearly resulting from pasture clearing,
requiring lots of labor nonetheless. Most New England walls
are only as tall as an average man's thigh, determined
by the ergonomics of lifting the stones. If the farm was subject
to incorporated township laws, the farm wall might need to
measure 1.2 to 1.5 meters high. A wooden fence often was
added to the top of stone if it would be used to pen in animals.
 One estimate is that more than 380,00 kilometers of
stone walls were built by the end of the 19th century in NE.
Other structures that were part of early American rural life
qualify as stone walls. Retaining walls helped hold hillsides.
Foundations were walls upon which homesteads stood.
Dam walls provided water control.
Bridges were specialty walls engineered to assist
continuation of trails and turnpikes.
Below is a containment stone wall known as a "pound",
often built near a town center so that a wandering
animal could be taken to the "lock up" until claimed,
with minimal inconvenience to all.
Living near these ubiquitous monuments to New England
independence, self-reliance and resilience, we no doubt
will feel their absence from the western landscape we return to.
They are simply one more element of our experience here
that fills our lamps with no outlay or effort.
Apart from walls and trees, many things continue to
fill our lamps and offer their own strength and comfort.
Continuing the theme of "stones", I recall the hymn lyrics
Come Thou Fount
by Robert Robinson in 1758 who wrote of the biblical
stone of praise offered to mark success on the journey:
Here I raise my Ebenezer,
Hither by Thy help I've come.
And I hope by Thy good pleasure,
Safely to arrive at home.

We feel the blessings and watchful care of our God,
and we acknowledge the Gospel "fences" that guard us,
and that guide us toward Heaven.

Sunday, April 12, 2020

In Memorium: Tomie dePaola


So many reasons I didn't know before about HOW MUCH
I needed to be here in New Hampshire! Blessings overflowing!

Within 24 hours of the post last Sunday evening, we stumbled
upon news that 1) Tomie has been living and working near
here in New London, New Hampshire, and 2) that he had
suddenly died following a fall at home (March 30, 2020).
He was 85 years old, and said he couldn't imagine retiring - EVER.
(Learning that he died after a fall opens an old, healing wound.)
Anyone who has read award-winning stories to children in recent
decades will know of Tomie dePaola (pronounced de-Pow-la). 
The book and illustrations that "launched" his career was this one:
Most of this post will be a gesture of respect to Tomie. 
But before that, I wish to record here our recent, very 
different experience with the April 9th transfers. 
First change: NO new incoming missionaries (being kept at home 
until things improve.) Second change: NO large gathering of young 
Elders and Sisters who arrive and re-mix for new assignments.
Instead, with miraculous choreography, the APs released
travel plans in four "waves" at one-hour afternoon intervals
to try to avoid the temptation for too-close association,
or chatting and waiting around. Here their compliance with
"social distancing" shows even with parked mission cars.
 To protect them and US seniors, the transfers occurred
almost completely outside - and it was a very rainy day.
Supplies and missionary mail dissemination happened
from under a canopy. Pre-packed snack bags were placed
inside the open-back mission trailer (though many didn't know).
My duties for *regular transfers (*what does that mean?)
involve ordering in Panera bagels and cream cheese,
procuring fresh fruit, string cheese and packaged
snacks for those traveling in from distances and then 
back out to avoid the need to stop for dinner somewhere.
This image below, was from the pre-COVID-19 transfer
in late February where you can see the happy associating
and tables full of snacks.
This time I put up paper sacks with non-refrigerated
foods so missionaries could grab-n-go.
Change Three: no excursion to Concord, MA to 
the Old North Bridge, or farewell dinner and testimonies
shared across the dinner table at the Concord Inn.
Instead, those departing in this group (1.5 weeks after
the previous early release group) were staying-at-home
between two regular or vacant mission apartments and
the Bedford, NH mission home. In these pictures, we
are saying good-bye from a distance, in the rain.
First to those at the Manchester 4 apartment 
(Sisters Christiansen, Crook, Nye and Ogden), and . . .
 . . . in Bedford (Sisters Bell, Johnson, Drollinger;
Elders White and Cluff).
 This is what the other side of the farewells looked like:
we used our prepared sign (awaiting an Easter delivery)
to express what is usually offered with handshake or hug.
Change Four: no in-person send off, with smiles,
tears (no escaping those), shared stories, etc.
That night, we huddled around computers for a multi-screen
Zoom tele-conference. (In tiny upper right screen are
Sisters Rumsey, Foote and Chesley, housed in Nashua.) 
Not to be with them all was brutal.
One more pre-amble: our Easter Sabbath experiences.
During an Easter week walk to nearby St. Anselm College campus,
Vince and I explored around the monastery grounds,
and came to this beautiful, secluded sculpture of
Christ Ascending at the end of a modified "points of
the Cross" nature walk. Here under sponsorship from 
a different religious tradition, it was touching and
soul-filling for me, in this time of chaos and unease.
A bright spot in our Easter morning was seeing this customized
digital bunny visit, sent from our friend Andrea. So fun!
Easter afternoon, we drove 30 miles east to Epping
and tried to return the favor at Andrea's home,
though Elder Warner is  NOT quite as cute! Nor fuzzy.
Returning to honoring Tomie dePaola: Monday evening's
local news broadcast was followed by the usual Chronicle
show on NHPBS, which showcases local human interest stories.
I was drawn in when I recognized the subject of a re-airing show,
then immediately knew this was an in memorium presentation.
What? Tomie lived that close, and now he's gone?
The realization felt strangely heartbreaking.
Here is a mapquest screen shot showing how really close 
we are to where he lived and worked, in New London.
Of course, the "remembering" show included live recordings of 
Tomie speaking and explaining, full of chuckles and grins
and color! It was instructive, and if you are
interested, you can follow this LINK to watch.
 Feeling strangely bereft, I spent much of Monday evening
reading articles about his recent show openings near here
that celebrate his illustrations, thinking about how his books
has impacted me and my quilts, and learning more about him.
From a NH Homes Magazine article about 6 years ago, come
 images of his studio and home. Wish my work space in Lehi
was as light and airy as this! And organized!
(To read that article, follow this LINK.)
 Strega Nona (1985) was Tomie's first real success and launched
his career and made his life comfortable. Eventually, he wrote
more than 270 books. This illustration (below)
from Strega Nona shows his simple but inviting style. 
Tomie knew from pre-school years that he wanted to draw
and paint and write children's books (and [tap] dance on stage).
His characters include flawed humans, but Tomie's outlook
is one of forgiveness, reconciliation, and hope.
A recent article from a New Yorker writer expresses
her views about how and why his books touch more than
one generation of readers, reaching young and older.
(Find that article by following this LINK.)
My own relationship with his work began like most have
as we (parent and children) discovered and fell in love 
with Strega Nona. Before long, I found "The Quilt Story" 
(co- author Tony Johntson), and it quickly came to mind as I 
developed my "Patchwork Imaginings" quilt collection.
His folk style resonated with me, and I was hooked for life
once I saw his "Abigail" quilt shown full-page inside front cover
as the new quilt, and inside back cover as the aged quilt. 
(This is the "new" quilt illustration.)
 More than one quilter has paid tribute to Tomie
by recreating his quilt painting in fabric and thread.
This is an image of my version.
If you and I were chatting face to face,
I would want to know which dePaola books
were your favorites. Quite a few of them represent
legends or ethnic stories and fables. As the New Yorker writer 
expressed it, his books were "moral, but not moralistic." 
Here is another book that was
included in the "Imaginings" collection. (Wish I had
 access to my quilts to also include them here.)
I love the feeling of blessing from departed loved ones.
 Bright illustrations from this book caught my fancy
and immediately paired itself with a quilt design.
And there are dozens more I love or plan to read soon.
Finally, here are a couple more images harvested from
the published articles showing Tomie's lovely home.
The history of this property, the 200-year-old barn
that was renovated, the new studio additions, etc.
are chronicled in the NH Homes article. We will visit
the area sometime soon, I hope, since it is not too far off
the highway as we travel north to Sharon, VT.
Another view of the courtyard.
Not difficult to see how he could be inspired there.
 Though it has been a week full of contemplation, sadness,
loss, and change, we also have been lifted by abundant
love from so many we care about. We feel the blessings
that accompany health-y news from family and friends,
and from remembering the promise of Easter.
Oil in our lamps continues to be filled to overflowing --
a little like Strega Nona's pasta pot.